Notes

What should a coffee shop play at 8am vs 3pm?

Not the same thing. So why does the music stay the same all day?

Here's something most coffee shop owners never think about.

Your shop at 8am and your shop at 3pm are two different rooms.

Different people, different energy, different noise. The music should know that.

There are two ways it goes wrong. One is thumping dance music at 8am in an empty room. That's just jarring. The other is the opposite: the chill, ambient stuff you'd find on a typical "coffee shop" playlist. It sounds lovely on headphones, then vanishes behind the grinders and the conversation. Nobody hears it, so it might as well not be there.

The fix is simple to say and harder to do: match the tempo of the business.

8am: it depends on your morning

The first question is what your morning actually looks like. Do you get a big rush before work, or is it a steady burn?

A slow, steady morning wants music that invites people to linger. I'd reach for something like Gregory Alan Isakov's "Dark, Dark, Dark." It sits just under 70 BPM, a relaxed, unhurried pace. It's led by acoustic instruments and voice, and it's very open, with lots of room to breathe. A gentle start to the day.

A morning rush is a different animal. The grinders are going and the line's out the door. Here I'd put on Katie Pruitt's "Matching Tattoos." It's around 75 BPM, so it keeps that easy morning groove, but it drives harder, with drums and electric guitars that can compete with the grinders and the talking. It holds its own in a noisy room without shouting over it.

3pm: the day is already moving

By the afternoon, the day is humming along. Maybe it's a lull, maybe it's a late lunch rush. Either way, a chill afternoon doesn't sound like a chill morning. The music shouldn't be as sleepy as it was when everyone was first waking up.

Try Khruangbin's "A Love International." I count it at around 99 BPM, a brisker pace for a day that's already in motion. Electric guitars and drums push the rhythm a little harder and there's less empty space in the arrangement, but it never maxes out.

"Chill" isn't one setting

That's really the whole idea. A relaxed 8am and a relaxed 3pm are different things, because the room around them is different. The tempo, and how much is going on in the music, should follow the energy of the room instead of staying fixed.

One caveat. These songs are examples, not rules. One song isn't a playlist, and the numbers are what I hear, not a formula. The point is the question behind them: what is my room doing right now, and is the music working with it or against it?

Try this

Stand in your shop at 8am, and again at 3pm, and just listen. Not to the music, to the room. How loud is it? What's the noise made of: grinders, voices, the door opening? Then listen to what's playing. Is it disappearing into the noise, or fighting with it?

If you can hear the mismatch, you can fix it, and you don't need a consultant to start.

If you'd like a second set of ears on what your room needs, you know where to find me.

Let's listen to your room.

One session, no commitment. You'll leave knowing what I'd change.

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